The Specials

The Specials

Album: “Encore”

Grade: A

Given that it’s been 20 years since there’s been new music from the Specials, who led a ska revival in Britain at the dawn of the 1980s that had little imprint on the United States, it’s reasonable to approach “Encore” with few expectations.

Time for an adjustment. This is a bracingly fresh and relevant disc, by no means a limp nostalgia exercise. The Specials fight through cynicism in politics and address gun control, women’s rights and Black Lives Matter without sounding like scolds.

“Vote for Me” puts modern politicians to the test behind a rock steady groove that musically echoes the band’s 1981 hit “Ghost Town.” Lynval Goulding ties together racism experienced by him and his Jamaican immigrant father in Britain and the United States in “BLM.” Guest vocalist Saffiyah Khan’s “Ten Commandments” is a feminist anthem. “I shall not be candy on your arm,” she raps. “I shall be seen and I will be heard.”

“Encore” contains a second disc with live versions of past favorites from a recent tour. Probably intended to entice old fans, it’s strictly a bonus. The new music stands on its own.

–David Bauder, Associated Press

The Way Down Wanderers

Album: “Illusions”

Grade: A

Somewhere on the spectrum between Old Crow Medicine Show and Mumford and Sons lies the spirited bluegrass-based artistry of the Way Down Wanderers.

With their second release, “Illusions,” the Illinois quintet puts its own hybrid imprint on the lickety-split brand of Americana that draws rock ‘n’ roll power from a banjo, a standup bass, a mandolin and other traditional sounds.

For band members and listeners alike, the desired effect is the adrenalin rush.

The album ranges around some, mostly between runaway jams and balladry. The airtight harmonies and cohesive ensemble work reward repeat listening.

The opener, “Principles of Salt,” veers toward the Old Crow end of the spectrum, jaunty and celebratory but filled with provocative declarations. America, for example, has given up and “overdosed on Adderall.”

But then comes “Frozen Through,” a song that accelerates the pace. Standup bass and harmony drive the speeding train, kind of in the Mumford and Sons way but with a refreshingly less studied vibe.

–Scott Stroud, Associated Press