Bruce Springsteen

Bruce Springsteen

Album: “Western Stars”

Grade: A

Bruce Springsteen’s new studio release breaks fresh ground for the veteran rocker, who turns his back not only on the blistering sound of the E Street Band but also abandons the haunting acoustic moods pioneered on “Nebraska” and fine-tuned on later solo efforts.

After the soul-searching, confessional tone of his best-selling autobiography and sold-out Broadway show, Springsteen’s “Western Stars” relies on an unfamiliar orchestral approach that somewhat masks the singer and is devoid of driving beats, sax solos and rock ‘n’ roll tropes.

Instead, he draws on the rich tradition of California-styled, pre-Beatles pop. There are hints of Roy Orbison’s soaring vocals and Brian Wilson’s pocket symphonies, but the lyrics are pure Springsteen. Beneath the glossy sheen are the taut narratives, introspection and ambiguous moments familiar to longtime listeners. His storytelling skills are as strong as ever, just presented in a different way.

He’s paying homage to an era when the single reigned, and radio airtime went a long way to determining an artist’s success or oblivion, but Springsteen is not looking for No.1 hits with easy hooks. “Western Stars” is understated, without over-the-top orchestration or hyperbole. Each song stands alone as a self-contained story; taken as a whole it’s a panorama of loneliness and heartbreak. The protagonists are mostly men, and mostly beaten down, but there are occasional whiffs of freedom, usually tied to the joys of the open road, that most enduring of American myths.

It is no accident that the album opens with “Hitch Hikin”’ and this straightforward image of a loner in perpetual motion: “Thumb stuck out as I go/I’m just travelin’ up the road/Maps don’t do much for me, friend/I follow the weather and the wind.” It’s a recurring image dating back to the days of Woody Guthrie.

There are other fully-formed characters from Springsteen’s imagination: the failed country music songwriter, his lyrics rejected at every turn, the busted up B-movie stuntman held together by rods and pins, even a rundown hotel with an empty swimming pool with dandelions pushing up through the cracked concrete takes on a life of its own as a character in “Moonlight Motel.”

But it’s not all heartbreak. There are small celebrations, too, notably in “Sleepy Joe’s Cafe,” where working men and women can find solace on the dance floor when weekend comes. It’s a dreamy place where Monday morning is far, far away, and Springsteen has placed it in the context of the postwar economic boom that powered America for decades: “Joe came home in ’45 and took out a G.I. loan/On a sleepy little spot an Army cook could call his own/He married May, the highway come in and they woke up to find they were sitting on top of a pretty little gold mine.”

It’s a nostalgic vision, yes, but those roadhouses still exist. You just have to drive a bit.

–Gregory Katz, Associated Press

Lukas Nelson & Promise of the Real

Album: “Turn Off the News (Build A Garden)”

Grade: A

Lukas Nelson & Promise of the Real have a piece of advice for their listeners: Turn off the news.

But listeners would be wise to get turned on to “Turn Off the News (Build a Garden),” a strong step forward for Nelson and his versatile band.

Nelson, the son of country legend Willie Nelson who sounds more than a bit like his famous dad, takes his band on a journey through multiple genres of music on the new album, including country, rock, soul, folk and R&B.

Along the way he gets help from a host of A-list stars including his old man, Neil Young, Sheryl Crow and Kesha.

The title track is a standout in a record full of strong songs, with the 30-year-old Nelson taking on the role of sage, looking for a way to bring people together in this era of division.

“Turn off the news and raise your kids/Give them something to believe in,” he sings. “Teach them how to be good people/Give them hope that they can see.”

On the duet “Civilized Hell,” it’s almost hard to tell when Lukas stops and his dad picks it up. But, as they sing about being rebels and liking it, they make clear they have more in common than just their voices.

“I ain’t leavin’ this road I know/I ain’t done fightin’ for the freedom I chose,” the 86-year-old Nelson sings. “Can’t put a rope on me/You can’t shoot me down.”

Lukas Nelson & Promise of the Real have been on a roll lately: The strong “Turn Off the News” comes on the heels of their standout work on the “A Star Is Born” soundtrack (they also appear in the film) and the boys will open for the Rolling Stones on their summer tour.

–Scott Bauer, Associated Press