‘Chappaquiddick’ focuses on aftermath of Kennedy accident

By RYAN PEARSON

AP Entertainment Writer

LOS ANGELES

Jason Clarke plunged into frigid waters, repeatedly, for his role as the late Sen. Ted Kennedy in “Chappaquiddick.”

The Australian actor said his research about the accident that thwarted Kennedy’s presidential chances included jumping into Poucha Pond, the same waters the Massachusetts Democrat’s car crashed into in July 1969, killing Mary Jo Kopechne.

Clarke said the indie film, which will be in limited release Friday, doesn’t try to sensationalize the accident, which Kennedy failed to report for nine hours.

He said the film sticks “to the facts as much as we could and to play it out without scandalizing, without going to the tabloid of it.”

“This man committed this act and he worked his way out of it with help and with his own moral journey to the other side, where he then became one of the longest-serving senators in history. I don’t think — partisanship aside — you can’t take away from what he did.”

Kennedy went to Martha’s Vineyard to race in the Edgartown Regatta and on the evening of July 18, 1969, attended a party at a rented house on Chappaquiddick Island. Guests included Kennedy friends and several women, including Kopechne, who had worked on the presidential campaign of his brother Robert F. Kennedy, assassinated a year earlier.

Kennedy and Kopechne, 28, left the party together and a short time later their car plunged into Poucha Pond. Kennedy escaped from the submerged vehicle and said he made several futile attempts to rescue Kopechne, who was trapped inside.

Clarke visited the bridge and pond as part of his research for the film, even jumping in.

“It’s pretty much unchanged apart from the bridge itself has got guard rails and wider. There’s no other buildings. The Dike House is still there, the same place. It’s dark. There’s no lights on the road,” he said. “The water is dark, and the current is strong.”

The film spends more time on the aftermath of the accident. Clarke said viewers should leave theaters with a greater understanding of Kennedy.

“You can be with Ted a bit. You cannot just externalize it and say bad, horrible, disgusting man. You might want to at the end, but you can be there for it: on the phone afterwards, the walk back, the swim, the lies, the made-up story — or perhaps it’s actually really what did happen. But you can actually stay there with Ted. Not enough to be a Kennedy, but enough to almost touch him,” he said.