Dax Shepard takes ‘CHIPS’ from prime time to ‘Bad Boys’

By LINDSEY BAHR

AP Film Writer

LOS ANGELES

Dax Shepard was only 2 when “CHiPs” started airing on NBC and 8 by the time the popular series about the California Highway Patrol ended. He remembers the show – the sunshine, the motorcycles, the diversity (there weren’t many Latinos in his hometown of Detroit). It was like a vacation from the greyness every night on prime time.

But it was a faint memory until recently, when Shepard found himself googling how to spell Poncherello for a joke for a screenplay he was writing and came across a photo of Jon and Ponch looking “kind of cool.” Suddenly he saw something else: A cool “CHiPs,” in the vein of “Lethal Weapon” or “Bad Boys.”

Suffice it to say, the names might be the same (other than some punctuation), but “CHIPS” is not your father’s “CHiPs.” The once family-friendly show has veered into hard-R territory in the feature film, out Friday.

It’s not an uncommon practice. “21 Jump Street” and its sequel, and also “Miami Vice” veered successfully into the R zone, as will this summer’s “Baywatch” remake.

And “CHIPS” wasn’t always going to be that way. When Shepard signed on to write, direct and star in the adaptation, it was envisioned as PG-13 with a $45 million budget. When that was slashed to $25 million, Shepard insisted on the R.

“I generally like to see R-rated movies, and I think you should make what you want to consume even though it’s really tempting to make something you think people want to see,” he said in a recent interview at a Los Feliz coffee shop. Shepard blew into the place, Matcha-filled coffee mug in hand.

At 42, Shepard has a few writing and directing credits to his name, including “Brother’s Justice” and “Hit and Run,” but he’s no doubt more widely known for his acting in films such as “Idiocracy” and televisions shows such as “Punk’d” and “Parenthood.” He didn’t have any delusions of his own star power to actually open a film. When he pitched his modern vision for “CHiPs,” he actually assumed the studio would go with a proven star such as Chris Pratt or Channing Tatum for Jon Baker.

But Warner Bros. liked Shepard, and his plan to cast Michael Pena as Ponch, and they got the green light. For one, Shepard is an economical director. “Brother’s Justice” cost $5,000 to make, and “Hit and Run” cost $1 million. They also had the intellectual property cushion on their side.

“I could have never gone to a studio and said, ‘Hey here’s this original comedy called ‘Bonkers for Motorcycles’ and it’s me and Michael Pena and we need $25 million.’ They would have never done it. I knew if I were going to get any movie made it was going to have to be within a brand or a property that provided the studio with some insurance,” Shepard said. “And then I get to make a completely original movie that just has the known title in it.”

From there, Shepard got to make the action comedy he’s felt has been missing from cinemas in the past 15 years – one that doesn’t treat the action as a throwaway.

“I see pretty big-budget action movies where there’s a lot of cheating going on,” he said. “I just get bored when I watch computer generated battles in movies. I’ve walked out of more movies in the last five years than I have my whole life.”

Shepard took pains to do everything practically, from the motorcycle stunts to blowing up propane tanks. With the exception of one small shot, nothing in the film is digital.