‘Queen’ is a story of chess, dreams
By Sandy Cohen
AP Entertainment Writer
The colors and rhythms of life in the slums of Uganda are what set “Queen of Katwe” apart from other underdog chess movies.
“Queen of Katwe” is as much a portrait of marginalized life in Uganda as it is of an unlikely champion. In telling the true story of chess prodigy Phiona Mutesi, director Mira Nair captures the vibrancy of a small village, the toughened dignity of its people, and a state of poverty so oppressive you can feel the desperation in the dusty air.
It’s a kinetic setting for a true story so inspiring, it sounds like a made-for-Disney movie: A young, illiterate girl from the streets discovers a natural gift for chess, and with the help of a caring coach, she develops the skills and self-confidence to become a champion. The real Phiona Mutesi is a national hero and educational leader in Uganda who’s on her way to becoming a chess grand master.
Played onscreen by magnetic newcomer Madina Nalwanga, the Queen of Katwe’s story begins in 2007. Her father has just died and her mother, Harriet (Lupita Nyong’o), can barely keep the family fed. One day, she follows her little brother to an old church where some other kids from the slums are learning to play chess.
As in many chess/underdog films, these tournaments are where kids from the wrong side of the tracks get to see how the other half lives. Suddenly, the Katwe kids — all played brilliantly by local children — are envious and insecure.
The film is anchored by its colorful setting and solid performances by the entire cast. It’s easy to become absorbed in Phiona’s struggle in Katwe. Knowing she becomes a champion doesn’t diminish the thrill of her journey.
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