‘Paper Towns’ is a modest teen drama

By TODD McCARTHY

The Hollywood Reporter

LOS ANGELES

Based on an earlier teen fave novel by “The Fault in Our Stars” author John Green, “Paper Towns” is a mild coming-of-ager about dawning awareness and life lessons learned among a small group of Florida high school seniors.

Part mystery story, part road movie and part pre-prom graduation romp, the film is most interesting as a perspective on adolescence in which all the girls are more mature, nervy and perceptive than any of the boys, who have some catching up to do if they’re to have a chance with any of them.

Adapted by “Stars” screenwriters Scott Neustadter and Michael H. Weber from the winner of an Edgar Award for best young adult mystery novel of 2008, “Paper Towns” hinges on the lifelong fascination the smart, semi-dweeby Quentin (Nat Wolff, who played the lead’s best friend in “Stars”) nurses for his across-the-street neighbor Margo (Cara Delevingne).

Best friends and partner in crime as young kids, they’ve grown apart since Margo became hot and popular, so it comes as a jolting surprise to Q, as he’s known, when Margo shows up in his bedroom late one night shortly before the end of the school year and dares him to take her out in his parents’ car.

She won’t specify the reasons but break down his wimpy resistance merely by saying, “Basically, this is going to be the best night of your life.”

Margo’s agenda is to extract revenge on her cheating boyfriend, which she does, with some reluctant help from Q, in prankishly creative ways.

After Margo has visited sufficient humiliation and discomfort on her ex, she and Q end up in a high-rise looking down on Orlando at night, which puts her in a philosophical mood: it’s “a paper town with paper people,” she observes.

And then she disappears. Completely.

Despite pretty flimsy evidence, Q manages to convince his pals that they should drop everything and join him on a drive all the way to New York state, where he is certain Margo’s hiding in a true “paper town” (a term for nonexistent communities created by map-makers to thwart plagiarizers).

So Ben, Lacey, Radar and Angela all agree to pile into a minivan for the trek – provided Q guarantees their return by prom night.

For entirely accidental reasons, “Paper Towns” will receive an amount of unintended notoriety based on an incidental sequence that touches upon some major ongoing news.

By the end, nearly all the story’s questions, mysteries and dilemmas have been neatly answered and tied up, with just a dash of melancholy and a hint of maturity added to the mix as life moves on, albeit with more than a bit of fantasy where Ben and Lacey are concerned.

The affable sincerity of the cast helps, led by the likably open performance by Wolff, whose Quentin becomes visibly aware of how much growing he’s still got to do.