Elmore leonard, 87 Top crime author dies

By MIKE HOUSEHOLDER

Associated Press

DETROIT

Elmore Leonard, the beloved crime novelist whose acclaimed best-sellers and the movies made from them chronicled the violent deaths of many a thug and con man, has died. He was 87.

Leonard, winner of an honorary National Book Award in 2012, died Tuesday morning at his home in Bloomfield Township, a suburb of Detroit, from complications of a stroke, according to his researcher, Gregg Sutter. He was surrounded by family when he died, Sutter said.

His millions of fans, from bellhops to Saul Bellow, made all his books since “Glitz” (1985) best-sellers. When they flocked to watch John Travolta in the movie version of “Get Shorty” in 1995, its author became the darling of Hollywood’s hippest directors. And book critics and literary lions, prone to dismiss crime novels as mere entertainments, competed for adjectives to praise him.

His more than 40 novels were populated by pathetic schemers, clever conmen and casual killers. Each was characterized by moral ambivalence about crime, black humor and wickedly acute depictions of human nature: the greedy dreams of Armand Degas in “Killshot,” the wisecracking cool of Chili Palmer in “Get Shorty,” Jack Belmont’s lust for notoriety in “The Hot Kid.”

“When something sounds like writing, I rewrite it,” Leonard often said; and critics adored the flawlessly unadorned, colloquial style. As author Ann Arensberg put it in a New York Times book review, “I didn’t know it was possible to be as good as Elmore Leonard.”

Leonard spent much of his childhood in Detroit and set many of his novels in the city. Others were set in Miami near his North Palm Beach, Fla., vacation home.

One remarkable thing about Leonard’s talent is how long it took the world to notice. He didn’t have a best-seller until his 60th year, and few critics took him seriously before the 1990s.

He had some minor successes in the 1950s and ’60s in writing Western stories and novels, a couple of which were made into movies. But when interest in the Western dried up, he turned to writing scripts for educational and industrial films while trying his hand at another genre: crime novels.

The first, “The Big Bounce,” was rejected 84 times before it was published as a paperback in 1969. Hollywood came calling again, paying $50,000 for the rights and turning it into a movie starring Ryan O’Neal, that even Leonard called “terrible.”

He followed up with several more well-written, fast-paced crime novels, including “Swag” (1976). Leonard was already following the advice he would later give to young writers: “Try to leave out the parts that people skip.”

Writing well into his 80s, Leonard’s writing process remained the same.

His first novel, “The Bounty Hunters,” was published in 1953, and he wrote four more in the next eight years. One of them, “Hombre,” about a white man raised by Apaches, was a breakthrough for the struggling young writer. When 20th Century Fox bought the rights for $10,000 in 1967, he quit the ad business to write full time.

Leonard was born in New Orleans on Oct. 11, 1925, the son of General Motors executive Elmore John Leonard and his wife, Flora.

The family settled near Detroit when young Elmore was 10. The tough, undersized young man played quarterback in high school and earned the nickname “Dutch,” after Emil “Dutch” Leonard, a knuckleball pitcher of the day. The ballplayer’s card sat for years in the writer’s study on one of the shelves lined with copies of his books.

After serving in the Navy during World War II, he majored in English at the University of Detroit. He started writing copy for an advertising agency before his graduation in 1950.

He married three times: to the late Beverly Cline in 1949, the late Joan Shepard in 1979 and, at the age of 68, to Christine Kent in 1993. He had five children, all from his first marriage.

His son, Peter, followed in his father’s path, going into advertising for years before achieving his own success as a novelist with his 2008 debut, “Quiver.”

In 2012, after learning he was to become a National Book Award lifetime achievement recipient, Leonard said he had no intention of ending his life’s work.

“I probably won’t quit until I just quit everything — quit my life — because it’s all I know how to do,” he told the AP at the time. “And it’s fun. I do have fun writing, and a long time ago, I told myself, ‘You got to have fun at this, or it’ll drive you nuts.”’