'Footloose' remake is lighter on its feet and easier to swallow

By Roger Moore

Orlando Sentinel

Toes are tapping, feet are shuffling and boots are bouncing in the opening to the new “Footloose.” Kids are dancing and frolicking, maybe even having a few beers to the title song of a 1984 movie, a tune by Kenny Loggins.

Then tragedy strikes. And Bomont becomes the town that banned organized dances. The preacher preaches this from his pulpit, the town council goes along and the local cops enforce it.

But time passes, and it’s up to the dance-crazy new kid, Ren, to tame the local wild child preacher’s daughter, Ariel, and to get Bomont back on its dancing feet.

Craig Brewer, the director of “Hustle & Flow,” re-sets that Kevin Bacon/Lori Singer/John Lithgow Midwestern hit in the rural South.

He swaps a game of tractor chicken with a figure-eight school bus crash-o-rama and ingeniously adds singing 10-year-olds to the show-stopper “Let’s Hear It for the Boy.”

He gave the film a little Southern hip hop, and brought in real Southerners Dennis Quaid, Andie MacDowell and Ray Mc-Kinnon to further Southernize it.

Suddenly, it makes a lot more sense.

Brewer has made a new “Footloose” that is lighter on its feet and easier to swallow as a tale of teen rebellion against parents determined to overprotect their children.

In most regards — we still miss Kevin Bacon — this is a “new and improved” “Footloose,” funnier, sunnier and funkier.

Simply put, it works.

Kenny Wormald, a dancer-turned-actor (“You Got Served”), is the Boston kid who likes his music too loud for Bomont. He’s come to live with his Uncle Wes after burying his mom. And the drawling Wes (Ray McKinnon of “Dolphin Tale,” superb in this part) is just the guy to show the kid the rules. Wes is a father figure who remembers his own heck-raising youth.

Hough plays Ariel as an oversexed demon in cowboy boots — teasing the boys, especially her rich redneck boyfriend. Of course she’s going to flirt with the new kid. Eventually. Just as soon as she sees how much her preacher dad (Quaid) disapproves.

It’s a corny story, and just as dated as it was when it first came out around 27 years ago. Some scenes such as the bus race work, on their own, but feel shoehorned in.

If the opening dancing to the title tune doesn’t get you, the kids taking their shot at making country line-dancing cool will.

And if it doesn’t, you probably never got over that crush on Kevin Bacon back in junior high.

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