Tony Curtis went from heartthrob to respected actor

October 1, 2010 at 12:00a.m.

Associated Press

LAS VEGAS

Tony Curtis molded himself from a 1950s movie heartthrob to a respected actor, showing a determined streak that served him well with such films as “Sweet Smell of Success,” “The Defiant Ones” and “Some Like It Hot.”

The Oscar-nominated actor died about 12:25 a.m. Thursday at his Henderson, Nev., home of a cardiac arrest, Clark County Coroner Mike Murphy said.

The actor also was known as a painter. He visited the Butler Institute of American Art in Youngstown in 1992, and the Butler has one of his works in its collection.

Curtis began in acting with frivolous movies that exploited his handsome physique and appealing personality but then steadily moved to more substantial roles, starting in 1957 in the harrowing show business tale “Sweet Smell of Success.”

In 1958, “The Defiant Ones” brought him an Academy Award nomination as best actor for his portrayal of a white racist escaped convict handcuffed to a black escapee, Sidney Poitier. The following year, he donned women’s clothing and sparred with Marilyn Monroe in one of the most acclaimed film comedies ever, Billy Wilder’s “Some Like It Hot.”

His first wife was actress Janet Leigh of “Psycho” fame; actress Jamie Lee Curtis is their daughter.

Curtis struggled against drug and alcohol abuse as starring roles became fewer, but then bounced back in film and television as a character actor.

His brash optimism returned, and he allowed his once-shiny black hair to turn silver.

Again he came back after even those opportunies began to wane, reinventing himself as a writer and painter whose canvasses sold for as much as $20,000.

“I’m not ready to settle down like an elderly Jewish gentleman, sitting on a bench and leaning on a cane,” he said at 60. “I’ve got a helluva lot of living to do.”

Curtis perfected his craft in forgettable films such as “Francis,” “I Was a Shoplifter,” “No Room for the Groom” and “Son of Ali Baba.”

He first attracted critical notice as Sidney Falco, the press agent seeking favor with a sadistic columnist, played by Burt Lancaster, in the 1957 classic “Sweet Smell of Success.”

In her book “Kiss Kiss Bang Bang,” Pauline Kael wrote that in the film, “Curtis grew up into an actor and gave the best performance of his career.”

Other prestigious films followed: Stanley Kubrick’s “Spartacus,” “Captain Newman, M.D.,” “The Vikings,” “Kings Go Forth,” “Operation Petticoat” and “Some Like It Hot.” He also found time to do a voice acting gig as his prehistoric lookalike, Stony Curtis, in an episode of “The Flintstones.”

“The Defiant Ones” remained his only Oscar-nominated role.

“I think it has nothing to do with good performances or bad performances,” he told The Washington Post in 2002. “After the number of movies I made where I thought there should be some acknowledgment, there was nothing from the Academy.”

“My happiness and privilege is that my audience around the world is supportive of me, so I don’t need the Academy.”

In 2000, an American Film Institute survey of the funniest films in history ranked “Some Like It Hot” at No. 1. Curtis — famously imitating Cary Grant’s accent — and Jack Lemmon play jazz musicians who dress up as women to escape retribution after witnessing a gangland massacre.

Monroe was their co-star, and he and Lemmon were repeatedly kept waiting as Monroe lingered in her dressing room out of fear and insecurity. Curtis fumed over her unprofessionalism. When someone remarked that it must be thrilling to kiss Monroe in the film’s love scenes, the actor snapped, “It’s like kissing Hitler.” In later years, his opinion of Monroe softened, and in interviews he praised her unique talent.

In 2002, Curtis toured in “Some Like It Hot” — a revised and retitled version of the 1972 Broadway musical “Sugar,” which was based on the film. In the touring show, the actor graduated to the role of Osgood Fielding III, the part played in the movie by Joe E. Brown.

After his star faded in the late 1960s, Curtis shifted to lesser roles. With jobs harder to find, he fell into drug and alcohol addiction.

“From 22 to about 37, I was lucky,” Curtis told Interview magazine in the 1980s, “but by the middle ’60s, I wasn’t getting the kind of parts I wanted, and it kind of soured me. ... But I had to go through the drug inundation before I was able to come to grips with it and realize that it had nothing to do with me, that people weren’t picking on me.”