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‘THE BOOK OF ELI’ Want a better post-apocalypse tale? Hit the road
Movie
Book of Eli
In the not-too-distant future, some 30 years after the final war, a solitary man walks across the wasteland that was once America. There is no civilization here, no law. The roads belong to gangs that would murder a man for his shoes, an ounce of water -- or for nothing at all. A warrior not by choice but necessity, Eli seeks only peace but, if challenged, will cut his attackers down before they realize their fatal mistake. It's not his life he guards so fiercely but his hope for the future; a hope he has carried and protected for 30 years and is determined to realize. Driven by this commitment and guided by his belief in something greater than himself, Eli does what he must to survive--and continue.
‘THE BOOK OF ELI’
Grade: C
Directors: Allen and Albert Hughes
Running time: 1 hour, 34 minutes
Rating: R for some brutal violence and language
By Roger Moore
He is a loner, trudging in battered shoes across a sun- blasted landscape. He has a worn-out coat, a tattered backpack and sunglasses. He’s needed them ever since that day, 30 years before, “when the bomb blew a hole in the sky.”
Eli occasionally stumbles into other denizens of this wasteland. They always want to know what’s in that backpack. “A book.” They always want to see it. Some of them insist.
And then, behold! Out comes the machete and off comes a hand. If he kills them, Eli says a little prayer afterward.
“The Book of Eli” is a stylized, amped-up post-apocalyptic action film riding on the dusty shoulders of Denzel Washington — “The Road” with sword fights. The Hughes Brothers, who came to fame with “Menace II Society” in the last century, try for a comeback with a desolate, deliciously bleak film of violence and allegory. But whatever its virtues, “Eli” is a movie that can’t help but suffer in comparison with the much-delayed and much better “Road,” which reached theaters only a little more than a month ago.
Eli is a man with a mission. Deliver this book. Kill anyone who would stop him.
He stumbles into an Old West town run by the one guy smart enough to hoard water and surround himself with thugs to protect it. He’s played, as usual, by Gary Oldman. He has water, a blind lover (Jennifer Beals) and her daughter (Mila Kunis). And he wants that book.
It’s obvious what the book is, and the resolution to this quest tale is silly beyond belief. Denzel just plays it quiet, tough and cool, as if that alone will carry the film. What the Hughes Brothers do well is stage sword fights in silhouette and “Road Warrior”-ish chases and face-offs. They create a vivid dystopia, where Chapstick and KFC towelettes and non-human meat is in short supply, where iPods still exist, but rare is the tinkerer (Tom Waits) who can recharge them.
How else can Eli listen to Al Green sing “How Can You Mend a Broken Heart” as he dozes off in another abandoned house? That’s the best moment in “The Book of Eli,” the only one good enough to be an outtake from “The Road.”