Mary Travers, 72, dies of leukemia

DANBURY, Conn. (AP) — Mary Travers, one-third of the hugely popular 1960s folk trio Peter, Paul and Mary, has died.

The band’s publicist, Heather Lylis, says Travers died at Danbury Hospital in Connecticut on Wednesday. She was 72 and had battled leukemia for several years.

Travers joined forces with Peter Yarrow and Noel Paul Stookey in the early 1960s.

The trio mingled their music with liberal politics, both onstage and off. Their version of “If I Had a Hammer” became an anthem for racial equality. Other hits included “Lemon Tree,” “Leaving on a Jet Plane” and “Puff (The Magic Dragon).”

They were early champions of Bob Dylan and performed his “Blowin’ in the Wind” at the August 1963 March on Washington.

And they were vehement in their opposition to the Vietnam War, managing to stay true to their liberal beliefs while creating music that resonated in the American mainstream.

The group collected five Grammy Awards for their three-part harmony on enduring songs such as “Leaving on a Jet Plane,” “Puff (The Magic Dragon)” and “Blowin’ in the Wind.”

At one point in 1963, three of their albums were in the top six Billboard best-selling LPs as they became the biggest stars of the folk revival movement.

It was heady stuff for a trio that had formed in the early 1960s in Greenwich Village, running through simple tunes such as “Mary Had a Little Lamb.”

They debuted at the Bitter End in 1961, and their beatnik look — a tall blonde flanked by a pair of goateed guitarists — was a part of their initial appeal. As The New York Times critic Robert Shelton put it not long afterward, “Sex appeal as a keystone for a folk-song group was the idea of the group’s manager, Albert B. Grossman, who searched for months for ‘the girl’ until he decided on Miss Travers.”

Their debut album came out in 1962, and immediately scored a pair of hits with their versions of “If I Had a Hammer” and “Lemon Tree.” The former won them Grammys for best folk recording, and best performance by a vocal group.

“Moving” was the follow-up, including the hit tale of innocence lost, “Puff (The Magic Dragon)” — which reached No. 2 on the charts, and generated since-discounted reports that it was an ode to marijuana.

Album No. 3, “In the Wind,” featured three songs by the 22-year-old Dylan. “Don’t Think Twice, It’s Alright” and “Blowin’ in the Wind” both reached the top 10, bringing Dylan’s material to a massive audience; the latter shipped 300,000 copies during one two-week period.

“Blowin’ In the Wind” became another civil-rights anthem, and Peter, Paul and Mary fully embraced the cause. They marched with the Rev. Martin Luther King in Selma, Ala., and performed with him in Washington.

With the advent of the Beatles and Dylan’s switch to electric guitar, the folk boom disappeared. Travers expressed disdain for folk-rock, telling the Chicago Daily News in 1966 that “it’s so badly written. ... When the fad changed from folk to rock, they didn’t take along any good writers.”

In 1969, the group earned their final Grammy for “Peter, Paul and Mommy,” which won for best children’s album. They disbanded in 1971, launching solo careers — Travers released five albums — that never achieved the heights of their collaborations.

Mary Allin Travers was born Nov. 9, 1936 in Louisville, Ky., the daughter of journalists who moved the family to Manhattan’s bohemian Greenwich Village. She quickly became enamored with folk performers such as the Weavers, and was soon performing with Pete Seeger, a founding member of the Weavers who lived in the same building as the Travers family.

With a group called the Song Swappers, Travers backed Seeger on one album and two shows at Carnegie Hall. She also appeared (as one of a group of folk singers) in a short-lived 1958 Broadway show called “The Next President,” starring comedian Mort Sahl.

It wasn’t until she met up with Yarrow and Stookey that Travers would taste success on her own. Yarrow was managed by Grossman, who later worked in the same capacity for Dylan.

In the book “Positively 4th Street” by David Hajdu, Travers recalled that Grossman’s strategy was to “find a nobody that he could nurture and make famous.”

The budding trio, boosted by the arrangements of Milt Okun, spent seven months rehearsing in her Greenwich Village apartment before their 1961 public debut.

Travers lived for many years in Redding, Conn.