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‘Steve’ lacks in laughs
Movie
All About Steve
Mary Horowitz is a cruciverbalist -- a crossword puzzle constructor. Her brain spins at warp speed with an endless stream of arcane information. She can come up with the perfect word - and dozens with the same meaning - at a moment's notice, but "normal" behavior eludes her. When she is set up on a blind date with handsome cable-news cameraman Steve, Mary thinks the chemistry is undeniable -- that Steve is "the one." Steve, on the other hand, thinks Mary is crazy. Mary, who just knows she's found her soul mate, decides to do anything and go anywhere to be with him. She begins to pursue Steve relentlessly as he crisscrosses the country, covering breaking news stories. But when Mary becomes embroiled in the news story of the year, Steve and Hartman begin to see her differently. Hartman is plagued by guilt, knowing his game of one-upmanship with Steve has placed her squarely in harms way, while Steve is feeling his own pangs of remorse at his callous behavior. Despite the media storm surrounding her, Mary with her upbeat, unaffected manner brings together a small community of new friends. And all who encounter Mary will realize that sometimes the ones who don't fit in are the ones who really stand out.
‘ALL ABOUT STEVE’
Grade: F
Director: Phil Traill
Running time: 1 hour 38 minutes.
Rating: PG-13 for sexual content including innuendoes
By Roger Moore
This may be the worst film in Sandra Bullock’s career.
At times like this, it’s good to think positive. That’s what Sandra Bullock’s socially inept crossword puzzle “constructor” does in “All About Steve.”
So remember that Bullock staged a “comeback” with the summer smash “The Proposal.”
Consider how good she looks. She can still weather big-screen close ups and, at 45, can still pass for 35.
But she can’t pass for 30. And she’s never been that good in dizzy, “out there” roles. She might have learned that lesson with 1999’s “Forces of Nature.” Apparently not.
“All About Steve,” an unfunny, annoying, badly written, badly acted comic fiasco, may be the worst movie in Bullock’s career.
The screenwriter of “License to Wed” and an unheralded director with only a few forgettable TV sitcom credits serve up Bullock as a lonely word-freak, a smart, pretty woman still living with her parents in Sacramento, fretting over the once-a-week crossword puzzle she writes for the local newspaper. Mary chatters incessantly, is awkward around guys and blurts out her desire for sex at the drop of a hint.
A blind date with a certain Steve (Bradley Cooper) has her trot out her sequined mini-skirt, her favorite red go-go boots and her get-lucky red bra. Darned if in the middle of jumping Steve, 45 seconds into their date, he isn’t summoned to work. He’s a network TV news photographer and he is more than happy to bolt this scary date.
But Mary Magdalene Horowitz (Jewish Catholic, which explains nothing) has all this trivia at her fingertips and Steve as her latest puzzle. Literally. She whips up a crossword that’s all “Steve” clues. She reads the “signs” he has given her and sets out to be with him, because a relationship is like a crossword puzzle — “The worst thing you can do is leave it unfinished.”
The only laughs in this road accident of a road picture come through the dulcet tones of Steve’s on-air “talent,” reporter Hartman Hughes, played by the peerless Thomas Haden Church. He’s sexist and mean enough to lead Mary on just to anger Steve. He’s vapid and pretentious, punctuating his reports — from hostage situations, protests, hurricanes or children trapped in a mine with “Hartman Hughes, reporting from The Edge.”
Mary’s cross-country pursuit isn’t funny, but then again, Mary isn’t funny. It’s rare that one actually feels sorry for a gorgeous, rich movie star. But Bullock earns our pity here. Mary is a miscalculation in almost every way, and the movie around her is worse — unfunny cameos, good actors wasted, bad actors given face time for no apparent reason.
“The Proposal” worked because it let Bullock keep her dignity. Mary is just pathetic. Fifteen years since “Speed” and Bullock still can’t see an accident like this coming?