‘80 Days’ enthralls on stage at YSU

By STEPHANIE OTTEY

YOUNGSTOWN — Some books should be left as books. Others make the transition to film well. But few are successful when adapted to the stage. “Around the World in 80 Days,” however, is so entertaining and enthralling that it’s hard to believe Jules Verne didn’t write it for the stage originally. Mark Brown’s adaptation of the novel is wondrously entertaining and comedic, and is a must-see for Youngstown State University’s season.

“Around the World in 80 Days” follows the mysterious Phileas Fogg, played by David Munnell, as he attempts to make the title journey. The wealthy Fogg has made a 20,000-pound wager with some gentlemen at the London Reform Club, and enlists the help of his newly hired servant Passepartout, played by Randall Brammer, to prove that the challenging trip can be made. The two depart promptly and smoothly as they strive to return to London by 8:45 p.m. Dec. 21. Obstacles abound, however, and Fogg and Passepartout find themselves traveling with an array of characters, from the shady “Mudge” (Zachary Campbell) to the delicate and sweet “Aouda” (Alexis Gorgacz) to the confident, yet clumsy Detective Fix (Nathan Beagle).

The mishaps create a feeling of suspense as the show progresses, and it seems that Fogg will never make it back to London in time, but the odd characters and scenes that are introduced bring nothing but hilarity at every twist. Through a brilliantly funny script, mounds of physical humor, and a cast of actors who fit together flawlessly, “Around the World in 80 Days” fills the Spotlight Arena Theater with laughter.

David Munnell creates the aristocratic Mr. Fogg in an unusually subdued manner. Munnell is known for bringing big characters to the stage but displays a different side to his talents as he portrays the calmness and regality of Fogg. He masters the coolness of the nobleman while maintaining a likability that is impossible to ignore.

His French servant, Passepartout, is lovably created by Randall Brammer. Brammer holds the innocence of Passepartout so well that in his moments of bravery the audience is taken completely by surprise. Brammer is sincere and subtly hysterical. He’s one to keep a keen eye on throughout the show.

In contrast, Nathan Beagle brings vivaciousness to the stage that makes him an audience favorite. Beagle jumps from character to character at the drop of a hat and makes each one individually successful. While his comedic style is more obvious than some, he commits to every part with every inch of his body — and delivers. Beagle showcases a great agility in dialect and is truly entertaining to watch.

Like Beagle, Zachary Campbell and Alexis Gogacz each create multiple characters. Gogacz is a nice complement to Munnell as she also maintains a stately presence on stage, where Campbell’s energy matches that of Beagle and Brammer. Campbell has such an honest presence on stage that at times it’s difficult to tell if he’s improvising or just skillfully delivering lines in a seemingly spontaneous way.

This all-star cast was directed by Dennis Henneman and coached by renowned dialect coach Paul Meier. This extra coaching was apparent as each cast member handled the many dialects of the show with a clarity and ease that is remarkable.

Henneman not only enlisted the abilities of a talented cast, but he also had great support from the technical staff. W. Rick Shilling’s costumes were impeccable and appropriate, and John Murphy’s set was simple and charming. Jon Zelezniak creates a particularly memorable soundtrack to the show by playing sound effects live. With the help of Michelle Murray, a trombone and various percussive instruments, Zelezniak earns multiple laughs for his “elephant” sounds and more.

There’s no beating around the bush (or the world, as it may be) that “Around the World in 80 Days” is a delightful show that will entertain viewers of all ages. It’s guaranteed to make you smile.

X“Around the World in 80 Days” will be presented at 7:30 p.m. today, Friday and next Saturday; and 3 p.m. Sunday and Oct. 11, in Spotlight Arena Theater in Bliss Hall on the Youngstown State University campus. Call (330) 941-3105 for reservations.