Paisley displays some Twain with his twang


By RANDY LEWIS

Los Angeles Times

LOS ANGELES — In the decade since country singer Brad Paisley put out his debut album, the kid from Glen Dale, W.Va., has concocted a savvy musical amalgam of Roger Miller’s songwriting wit, Buck Owens’ hard-rocking twang and Chet Atkins’ guitar wizardry. But there’s powerful evidence of another influence at work in Paisley’s music, one of the titans of American popular culture: Mark Twain.

Like Twain’s youthful literary hero Tom Sawyer, Paisley frequently couples wisdom with a finely honed sense of humor and appears to share Huck Finn’s disenchantment with the emphasis that all those grown-ups around him place on becoming “sivilized.”

In hits such as “Online,” “Celebrity” and “Ticks,” he’s proved to be a skillful sneak, slipping in the kind of clever ideas and wordplay that few of his peers at the top of the country sales charts dare to venture. He has tackled the subject of alcohol abuse from different vantage points in two hit songs, the whimsical “Alcohol” and the artistic punch to the gut “Whiskey Lullaby,” his award-winning duet with bluegrass queen Alison Krauss.

Paisley’s eighth album, “American Saturday Night,” has the usual complement of straightforward love songs (the first single, “Then”), ruminations on love lost (“Oh Yeah, You’re Gone”) and humorous come-ons (“You Do the Math”).

But what probably will elevate Paisley’s standing as a musician, both in and potentially outside of the Nashville, Tenn., music community, are two key tracks: the title song and “Welcome to the Future,” both of which broach topics that also were favorites of Samuel Clemens.

“I’m getting into some subjects that don’t come up very often in country music, like racism, and I think it’s time,” Paisley, 36, said in late April during the brisk walk from his tour bus toward the massive stage at the 2009 Stagecoach country music festival in Indio, Calif., which he co-headlined with Kenny Chesney, playing to about 45,000 fans.

In person, Paisley’s as quick with a quip as you’d expect from his humor-laced songs, and he has a gift for putting visitors quickly at ease with his long-lost-friend demeanor. He frequently exhibits an impressive attention to detail, whether it’s concerning some facet of the stage setup for his live shows, the production work on a new recording or the musical equipment surrounding him.

Stagecoach was a cherry gig he couldn’t pass up, but it meant briefly tearing himself away from wrapping up work on the album — a collection that constitutes an important step forward for him, and for country music itself.

“One of the things I thought about while we were working on this,” he said later, relaxing on the comfortably appointed tour bus parked out back, “is this nagging feeling that country music had sat this one out a little too long, as far as what’s going on right before our very eyes, and in our society.”

“Patriotism in general is the idea that our country is the greatest because it’s our country,” Paisley said with a Twain-like edge on the observation. “You can name the reasons why you feel America is the greatest country in the world, but the fact of the matter is that pretty much anything you name, aside from American Indian customs, was not indigenous — it was brought here.

“We are this place of transplants,” he continued. “I think it’s wonderful; I like being able to have Indian food for lunch, go to Lares on Pico for [Mexican] dinner or the Taj Palace in Pacific Palisades. ... It’s the greatest place to party in the world, except maybe Ireland. But try getting a decent enchilada there.”

“Welcome to the Future“ takes the social and cultural self-examination a step further, opening with a spirited appreciation of the technological progress in the last half century before segueing into an expression of amazement and gratitude at other changes that have taken place. He charts a seismic shift that courses from witnessing the burning of a cross on the lawn of a black classmate years ago to the recent election of Barack Obama as president.

The Associated Press. All Rights Reserved.