‘Enchanted’ brings magic, more

A princess meets up with the real world in this send-up of traditional Disney movies.

By ROGER MOORE

ORLANDO SENTINEL

“Enchanted” is the best Disney fantasy-musical since “Mary Poppins,” a hilarious, dazzling send-up of the thing that made Disney what it is today — fairy-tale princesses.

It features a delightful, wide-eyed comic performance by Amy Adams of “Junebug” and another singing-dancing scene-stealing turn by James Marsden (“Hairspray”). This blend of animation in the classic Disney (hand-drawn) style and modern romance has wit and charm to burn.

We begin as we always do, “once upon a time,” in an animated fairy-tale land called Andalasia.

That’s where Giselle, equal parts Snow White, Cinderella, Belle and Ariel, sings her heart out waiting for her “True Love’s Kiss.” Her singing is so sweet that the critters of the forest come at her call, helping around the house.

And so does the handsome Prince Edward. He takes time off from troll hunting to sing back to her. He knows, on first sight, that the lovely, sweet Giselle can “complete my duet.”

But the evil stepmother witch-queen (Susan Sarandon) won’t hear of it. Edward’s marriage will strip her of power. So she dresses up like a crone and tosses Snowy Giselle down a well. And darned if girlfriend doesn’t turn up in New York.

She’s utterly lost in this flesh-and-blood reality of rude people and harsh lighting. But the handsome single-dad Robert (Patrick Dempsey of “Grey’s Anatomy”) is there to help.

Reluctantly. He’s a cynical divorce lawyer and he’s not buying her nutball story, and he’s not going to help her “find the castle.” But Robert has a little girl, and you know how they are about pale princesses in hoop skirts.

What follows is a delirious “fish out of water” romp as Giselle carves dresses for herself out of Robert’s curtains and summons New York’s “woodland creatures” (the rats and pigeons are merely the cuddlier ones) to help her. Her “Happy Working Song” does it every time.

Giselle doesn’t have to be animated to let her heart sing. What’s brilliant is the way jaded, cynical New York sings and dances with her. The city, especially Central Park, has never looked so lovely.

Dempsey plays the befuddlement well enough (he’s actually a weak link), but Sarandon is simply perfect, animated or real, as the witch-queen. British character player Timothy Spall is the queen’s henchman and vamps through assorted scenes where he tries to talk Giselle into taking a bite out of something poisoned.

An A-list of Disney animation song-writing talent did the tunes, and the production numbers rival anything in “Hairspray” or “High School Musical,” or for that matter, “Beauty and the Beast.”

Director Kevin Lima (“Tarzan”) finds the giggles in Bill Kelly’s ironic script, commenting on, referencing, but gently goofing on fairy-tale characters and Disney cartoon conventions. “Enchanted” is also shot through with the sweetness and heart of the best Disney movies.

But Adams and Marsden sell this, and how. She never loses Giselle’s sense of wonder and confusion over a world where love isn’t always “happily ever after,” where people actually get angry. And Marsden, spot-on from his bouncy Disney-prince hair to his Gaston-in-“Beauty and the Beast” voice and machismo, just kills. Who else could describe his true love as “my other half, my one coquette, my true love’s duet”?

Things go the way they often do in fairy tales, but with the real world setting there are real world gags about this new woman in Robert’s life (his fiancée isn’t happy about this), seeking answers from the “magic mirror” that gets cable. Not to mention the helpful talking chipmunk who is the only one who sees the big picture.

Even the throw-away bits work. Giselle is utterly out of her depth until she sees a familiar face, a very short, very irritable New York businessman.

“Grumpy!”

The messages — that “love at first sight” often isn’t real and chivalry can still be pretty romantic — give “Enchanted” a twist that could undo the “I need my prince to give me my voice” brainwashing of “The Little Mermaid.” Here’s one that is almost certain to become Disney’s next classic.