RECORD REVIEWS

'TAKING THE LONG WAY'
Dixie Chicks (Open Wide/Columbia)
Grade: C
The Dixie Chicks return from a period of hibernation by flashing anger and a more grown-up, rock-influenced sound on the "Taking the Long Way," their first studio album since 2002's Grammy-winning "Home" and the controversy that erupted after singer Natalie Maines criticized the president during a London concert in March of 2003.
The righteousness might have been expected; after all, the Texas trio built their reputation with bold lyrics and an uncompromising attitude and musicality. The change in direction isn't a surprise, either; the Chicks have always been adventurous, and besides, after being rejected by country radio and booed at country music award shows, the band announced it would record in Los Angeles with renowned rock producer Rick Rubin and a host of L.A. rock stalwarts.
But what isn't expected is how dour they sound. In the past, Maines and her bandmates, sisters Martie Maguire and Emily Robison, used cheeky humor and playful sense of abandon to address everything from leaving home to abusive husbands to sexual freedom. Now their songs are weighed down in bitter appraisals and somber reckoning.
At times, they rock harder than ever, especially on the ferocious "Lubbock or Leave It," a two-barreled blast at small-town hypocrisy and narrow-mindedness titled after Maines' hometown. They also occasionally prove as masterful at injecting a personal Texas spin into melodic rock as they were at enlivening modern country music in the past. The new "Voice Inside My Head," in particular, is a rousingly effective pop song powered by Maines' soaring voice and the harmonies and instrumental talents of Maguire and Robison.
But even with all the top-notch help -- including Gary Louris of the Jayhawks, Dan Wilson of Semisonic, and Mike Campbell and Benmont Tench of Tom Petty & amp; the Heartbreakers -- the Chicks don't quite raise the kind of ruckus that made them such a force to be reckoned with in the past.
--Michael McCall, Associated Press
'WE DON'T NEED TO WHISPER'
Angels and Airwaves (Suretone/Geffen)
Grade: C
Mick Jagger swore he'd never sing "Satisfaction" at 40. Not only does the 62-year-old still perform the ode to sexual frustration, the randy codger continues to expound on the theme in new songs.
Tom DeLonge, singer of the scatological pop-punks Blink 182 (they of the album "Enema of the State"), never made similar proclamations about his songs. But putting Blink on hiatus and starting Angels and Airwaves -- all serious lyrics and sweeping anthems that echo U2 in nearly every sonic detail -- seems like an attempt to distance himself from, say, "Dysentery Gary."
The cinematic instrumental openings and Edge-like guitar treatments that define the songs don't jell with DeLonge's mall-rat sneer -- a voice well suited for the flimsy war-as-disintegrating-relationship metaphor in "Distraction" and the rudimentary emo-babble of "The Adventure."
Angels and Airwaves isn't the sound of DeLonge growing up, it's the sound of a restless talent in a post-pop-punk midlife crisis.
--Patrick Berkery, Philadelphia Inquirer