Respected jazz vocalist dies in an LA hospital

Once known as the 'Jezebel of Jazz,' she released a recording recently.
LOS ANGELES (AP) -- Anita O'Day, whose sassy renditions of "Honeysuckle Rose," "Sweet Georgia Brown" and other song standards that made her one of the most respected jazz vocalists of the 1940s and '50s, has died. She was 87.
O'Day died in her sleep early Thursday at a convalescent hospital in Los Angeles, where she was recovering from a bout with pneumonia, said her manager Robbie Cavolina.
"On Tuesday night, she said to me, 'Get me out of here'," Cavolina said. "But it didn't happen."
Once known as the "Jezebel of Jazz" for her reckless, drug-induced lifestyle, O'Day lived to sing, and she did so from her teen years until this year when she released "Indestructible!"
"All I ever wanted to do is perform," she said in a June 1999 interview with The Associated Press. "When I'm singing, I'm happy. I'm doing what I can do and this is my contribution to life."
Cavolina recently completed a feature film about O'Day and accompanied her to shows and on tours.
"She got to see how many people really loved her at the shows we did, in New York, in London," Cavolina said. "She had come back after all of this time. She really lived a very full and exciting life."
Her background
O'Day was born in Chicago, Ill. She left home at age 12 and often bragged about being "self-made" and never having a singing lesson.
She began her career in her teens and later recorded hits with Stan Kenton and Gene Krupa. Her highly stylized performance of songs such as "And Her Tears Flowed Like Wine," "Let Me Off Uptown," "Honeysuckle Rose" and "Sweet Georgia Brown" made her famous the world over.
In her prime, O'Day was described as a scat singer and a natural improviser whose unique interpretations energized the most familiar songs. She inspired many singers, including June Christy and Chris Connor.
Her fame came at a price.
She suffered from a 16-year heroin addiction and an even longer alcohol problem. Wild, drug-related behavior and occasional stints in jail on drug charges earned her the nickname "Jezebel of Jazz," a term she hated.
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